Sony Marvel’s latest attempt at re-imagining a classic comic book character falls prey to the tired cliché of “girl power,” sacrificing depth and tradition at the altar of diversity. To add to Marvel’s woes with the already controversy-marred Madam Web, Dakota Johnson has said on SNL that Marvel’s Madame Web is “like if AI created your boyfriend’s favorite movie.”
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The controversy started when it became apparent that Marvel’s Madame Web, originally a character steeped in mystique and wisdom, is being reduced to a formulaic trope of youthful agility and crime-fighting prowess. The movie, featuring Dakota Johnson, Sydney Sweeny, and Celeste O’Connor, follows the predictable trajectory of “badass females” taking center stage, neglecting the nuanced mentorship and guidance that defined Marvel’s Madame Web in the comics. Instead of exploring her role as a cerebral force within the Spider-Man universe, the movie opts for a generic hero’s journey, devoid of the depth that fans crave.
Set in an alternate universe, the plot revolves around Cassandra Webb, portrayed by Dakota Johnson, a paramedic in Manhattan with potential clairvoyant abilities. Teaming up with three other young women, including a race-swapped Mattie Franklin, played by Celeste O’Connor, they navigate a perilous present to unlock their powerful futures. Tahar Rahim plays the villain Ezekiel Sims, adding to the conventional hero vs. villain conflict.
Despite the potential for a compelling portrayal of Marvel’s Madame Web’s wisdom and guidance, the film succumbs to the pressures of Hollywood’s obsession with superficial diversity and inclusivity. This shallow approach not only diminishes the character’s legacy but also contributes to the ongoing trend of lackluster box office performances from major comic book adaptations.
Dakota Johnson’s remarks about her lack of experience with blue-screen acting and her hesitation about playing a Marvel superhero further underscore the film’s troubled production. Her comparison of stunt work to that of Tom Cruise comes off as cringeworthy, highlighting the disconnect between the actor’s reservations and the film’s ambitious goals.
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In a broader context, Marvel’s Madame Web is symptomatic of Hollywood’s misguided attempts to cater to an audience increasingly weary of token diversity and gynocentric narratives. The failure to capture the essence of beloved characters like Madame Web reflects a deeper industry-wide struggle with creativity and authenticity.
To add insult to injury, Dakota Johnson said on SNL that Marvel’s Madame Web is “like if AI created your boyfriend’s favorite movie.” As Marvel and DC continue to grapple with declining box office returns, the fate of Madame Web serves as a cautionary tale against prioritizing superficial representation over compelling storytelling. Until Hollywood learns to respect source material as well as the fans, audiences may continue to reject formulaic reboots and uninspired adaptations.
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I smell another multi-million dollar money hole.