Star-studded Freaky Tales, with Pedro Pascal, Ben Mendelsohn, Angus Cloud, and Ji-young Yoo among others opened at the Sundance Film Festival. Freaky Tales described as: “Four interconnected stories set in 1987 Oakland, CA. will tell about the love of music, movies, people, places and memories beyond our knowable universe.” on IMBD, is another woke leftists meta wet dream about how they “love to punch Nazi’s in the face.” Pedro Pascal’s Freaky Tales likely had the Sundance attendees doing the communist fist-pump as they left the theatre, just for show of course because everyone knows Sundance attendees couldn’t punch a hole in a cardboard, never-mind punch a Nazi.
In Chapter One of Freaky Tales, titled “The Gilman Strikes Back,” we are thrust into the midst of a group of punk-rock pacifists led by Jack Champion and Ji-young Yoo. Their mission is to confront a menacing pack of Nazi skinheads terrorising Oakland during the ’80s. A graffiti-smeared underground music venue sets the scene, with the words “Reagan Sucks” scrawled on the wall, placing us firmly in the era. A solid 7/10 on the Stunning and Brave scale. Sundance attendees would be proud.
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Chapter Two, “Don’t Fight the Feeling,” unfolds the story of Entice (Normani) and Barbie (Dominique Thorne), aspiring rap artists who, by day, work in an ice cream shop. As they approach their big break, they become victims of sexual harassment by a cop known only as The Guy (Ben Mendelsohn). This character is supposed to be a representation of hate, homophobia, and racism in the world, playing a significant role in the subsequent narratives. This chapter scores a solid 9/10 on the Stunning and Brave scale. Another win for Sundance Attendees.
Chapter Three, “Freaky Tales: Born to Mack,” treated Sundance attendees to Clint (Pedro Pascal), a weary criminal on one last job while his pregnant wife waits in the car, unaware of his true intentions. The story takes an unexpected turn at a video store. Tragedy unfolds as the job spirals out of control, propelling Clint and the film into a path of revenge. It is Pedro Pascal’s devolution from mighty Mandalorian to lowly criminal.
In Chapter Four of Freaky Tales, “The Legend of Sleepy Floyd,” the focus shifts to Jay Ellis’ Sleepy Floyd in a fictional retelling of a famous Warriors/Lakers playoff game from May 1987. This chapter delves into the narrative, portraying Sleepy Floyd’s triumph over the Lakers in a record-breaking play, blending fiction with sports history.
To recap, Pedro Pascal’s Freaky Tales made its debut at Sundance: punk-rock pacifists on a mission to confront a menacing pack of evil Nazi skinheads terrorising Oakland, sexual harassment by a cop, hate, homophobia, and racism. All in all the anthology is a violent and gory Tarantino pretender, and a poor attempt at showcasing the woke crowd’s ultimate wet dream of punching Nazis in the face. The omission of a woke man-made climate change sermon does however detract from Pedro Pascal’s Freaky Tales overall Stunningness and Braveness, but it still gets an overall 8/10 on the Stunning and Brave scale.
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I’m sure a degenerate freak like Sean “Smeghead” Moore would love a movie like this, since he still lives in Oakland, California, most likely in a wealthy mansion.
He does funny things while watching it