SFWA Removes Writers Of The Future From Qualifying Markets

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This is an interesting move, and also a foolish one. WotF has come under attack by SJWs for the last couple of years because of its ties with L. Ron Hubbard, who originally set up the foundation. For those who aren’t familiar with it, it’s a writing contest, where quarterly, amateurs, submit their short fiction and a top three or so get chosen from the thousands of submissions as the winners, who then get featured in their Writers of the Future anthology.

They pay is really good as short stories go, and keeping it to amateurs clearly defined makes it a nice place where writers who don’t have established cred can get their foot in the door. I know several writers of the future winners who all have used it to launch their short story careers. It’s cool because it’s blind submission, so the story really stands on its own, and it’s often judged by top-tier writers like Todd McCaffrey and Kevin J. Anderson. And it actually pays really well. One of my stories actually made their top-level cut just below the prizes, before I earned enough to not be able to qualify for the contest before. It’s a nice barometer for writers to see where their stories are at.

Scientology has really little to do with it, other than the fund for it coming from Hubbard’s foundation. It’s really just a nice thing for writers. But since the people involved aren’t “approved”, SFWA’s been under pressure to do something about it for the last couple of years. In standard, slimy fashion, their statement on the matter doesn’t actually talk about the real reason it’s getting cut — the scientology and literally can’t evening of some vocal SJWs in the field about it — but instead makes a proclamation that it’s because it’s a contest it’s not real.

In my world, money earned from selling a story is money earned from selling a story. It’s just another move down the path of nonsensical moves to keep people out of their club who aren’t on the “approved” list. The movement to start picking and choosing markets based on irrelevant factors is a very frightening move for the already insular group. What if I told you that all anthologies are “contests”. Any time you submit a story it’s a contest to see whether you can get published in it or not whether it’s labeled submission or contest, it’s literally the same thing.

What boggles the mind is they make moves about WotF because of scientology, but they still have Marion Zimmer Bradley’s foundation as an approved list — and she’s a known pedophile. Last I checked, NAMBLA defender Samuel Delaney was still a member as well.

If they’re going to start excluding based on principles, you’d think they’d want to start there. But we saw what happened last year when the subject of pedophilia was brought up to some of their current officers. Instead of condemning the pedophiles, they condemned everyone’s favorite Hispanic author (me) for pointing it out by using my anti-pedophilia stance as a reason to keep me from entering their group, even though I duly qualify. It’s mind boggling.

They really need to shape up if they’re going to have any relevancy in the future. I’m doing my best to try to make changes and I hope when the new officers get elected next year, the writers in SFWA categorically purge this nonsense that’s going on, and SFWA returns to standing for Science Fiction Writers of America, and not their insane political causes. I’ll hold my breath.

But this is why we need someone to Make Science Fiction Fun Again, and why I’ve done just that. You can read my short story collection that definitely wouldn’t be considered a qualifying market by SFWA no matter how much money it makes. Why? Because they want to keep down ideas from independent authors. But they can’t stop you from reading, no matter how much they want to ban my books. Read it here.

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Is Twitter Beneficial?

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I received a reader message this morning imploring that I should get back on twitter, that my 5000 or so fans on there want to interact with me and by bailing I signal to the other side that they win.

It’s an interesting dilemma. I have a few problems with Twitter beyond the immediate insanity of EVS’s harassment squad — it’s enemy territory. I’ve been suspended several times for pointless reasons that aren’t actual violations, and now they’re cracking down hard on people who have different opinions than the establishment alt-left on different matters. It’s a bad environment to begin with. Another author put it to me: “Twitter is enemy territory.” It’s like running into Afghanistan or something and putting an American flag down in the middle of the square and saying “What’s up guys?” And my fellow author is right about that.

Second, it’s a time suck. Every minute I spend tweeting is a minute I’m not spending blogging, tending to my mailing list, working on my ads, writing books, producing comics, or all the other things I should be doing. Is the ability to shitpost to give people a few laughs really worth that? I’ve taken Facebook off my phone and only use it when I want to, making it more cumbersome and a thing I have to consciously do rather than do unconsciously. I think the further distance from social media and the more it’s used as a marketing tool platform at this stage of my life, the better.

For now, the best ways to interact with me is to get on my mailing list. I use this to let people know when new releases are out and it’s the best way to ensure you’ll never miss one. In 2019 I intend on using this more to deliver some content, give people some benefits for getting emails from me (and it sends out from my email so you can just write back).

Second, Patreon. I have a private discord server for Patreon supporters along with all the cool content that gets released there FIRST before anywhere else. It’s small but it’s a good spot to interact without all the noise and public grandstanding from people who just want to attack me for attention.

Third, The Grand Rislandian Army facebook group. It’s just about my books and works, and It’s more fun because of that.

If I were to return to Twitter, I would probably have it managed similarly to the way I do Facebook now, which is not so much engaging on posts off of my own. I might even not go on the site itself and just program posts from somewhere else just so I don’t have to interact there. I don’t think there’s a lot of good that comes from it, though I do wish I had that spot to send out my links when a new book or blog gets posted or whatnot.

What do you guys think?

BTW… Make Science Fiction Fun Again is hanging strong at #3 here, but I’ve still got these #Resist alt-leftists to pass. America still needs your help! Buy Make Science Fiction Fun Again now! 

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Don’t Forget: Special Lunch Stream Today!

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It’s going to be a ton of fun.


Pick up Make Science Fiction Fun Again on Kindle and read along with us as we go through our first co-written story “Unsafe (In) Space”. 

And a reader sent me this fun image below: the collection is already in the top 10 new releases. The only problem is… N.K. Jemisin is at #1 and this Resist anthology is #2. Can we push them out of the spots?  I need your help, fam! 

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The Cardinal Mistake With SJWs and Robert Silverberg

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Robert Silverberg, a science fiction legend who’s responsible for editing some of the greatest sci-fi anthologies and short fiction collections of all time, among having one of the biggest writing careers in sci-fi himself, had a private email list with a few friends over the summer. On the list, he made commentary about NK Jemisin’s Hugo Award speech, in which she riddled with identity politics like she does everything else. He thought something along the lines that it’s a shame that people seem to be voting based on identity and that instead of celebrating and enjoying that people cared about a story, she used the platform to launch into “muh racist”, like she always does. He lamented this is not good for sci-fi, and rightly so, because it’s not.

But it is an indication of what science fiction’s become. The last decade, establishment publishing has treasured identity over story, and it’s become a trainwreck just like the speech. What Silverberg fails to understand, is it’s not like the glory days of sci-fi where it was about creating exciting stories with these people, it’s about sticking it to “the man” in the literal sense–and he is one, so he’s on the outs regardless of his accomplishments.

The problem is, he was attacked by this very crowd, despite his track record, despite his wondrous accomplishments that should be praised. He violated their most sacred law of “thou shalt not make a comment about a minority whining about racism”, and therefore the entire establishment elite must condemn and destroy him for the rest of their days. He thought he was just talking to people who loved science fiction, loved the work, just like he does, however, and this is where he made his mistake:

He tried to explain himself.

Silverberg made a post with the wrong topic in the wrong forum. He took to File 770 to do a long-winded post basically saying “I’m not racist, I just care about science fiction.”  The problem is– the people’s he’s talking to are racist and don’t care about science fiction. You can look at the comments, all they do is trash him: http://file770.com/racism-and-sexism/

Of course, sci-fi elites like Jemisin herself replied with passive aggressive drivel like you would expect. The woman has a publishing contract solely because of her skin color, sells books solely because she whines about it, and wins awards solely so people can pat themselves on the back for it. It’s a joke. She’s used her race to create her entire career, and is one of the biggest race-baiting liars out there. She can’t even be consistent enough to not attack everyone’s favorite humble Hispanic author (me) on race matters, but that’s another story.

It still comes down to this, and i’ve made this mistake with the comicsgate crowd: don’t explain yourself. Don’t argue on the internet. People who are shrieking “racist” aren’t around for rational discussion. They’re not your friends even if you think they are. They’re just trying to destroy because that’s all they know how to do. They’re deriving pleasure from that, not the books, not the work. They don’t care about it.

And that’s the state of the sci-fi industry today. But don’t worry, reader. Because in the indie world, we’re rebelling against this kind of thing. We’re making stories for the fun of it, making stories to entertain YOU, the reader.  We’re going to make science fiction adventurous again. We’re going to make science fiction full of wonder again. We’re gonna make science fiction entertaining again. And we will Make Science Fiction FUN again! Make sure to read my new short fiction collection, out today! Read the back cover to see how the establishment in publishing is panicked by me:


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Special Lunch Stream: Tomorrow

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If you’re subscribed to my YouTube channel, you’ll see that our stream was moved to Tomorrow in celebration of the new release of my short fiction collection: Make Science Fiction Fun Again!

We will be reading from our first collaborative short story effort, which appears in this collection, titled, “Unsafe (In) Space” — a touching story about a transgendered lesbian knitting circle in space. You won’t want to miss the stream or the collection.

Subscribe to YouTube (and hit like!):

Buy Make Science Fiction Fun Again (paperback version for your coffee table out now so you can trigger your liberal friends. Ebook will be available tomorrow, up for pre-order now).

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The Culture War Landscape Is Changing

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Over the weekend, we watched as those who built their youtube brands up on being culture warriors and proceeded to turn around and do to right wing comic creators exactly what those in the mainstream, leftist industry did, turn on the movement they helped grow and cultivate. They washed their hands of what they created because too many people were questioning their motives and the way they were going about ostracizing conservatives.

The result was a movement unified. A group of people who are really int this for changing the dynamic of comics and not for political litmus testing against conservatives. We’ve seen that before, we know how it ends, and it’s ugly.

I find myself energized and vindicated by this move, as I’ve stood tall with my resolve saying I will not apologize for being a conservative, I will not apologize for being a Christian. I’m going to continue to make books and comics the way I want to and no one can stop that.

My game plan has been the same for awhile and is as follows:

I still plan on releasing more pages of comics in 2019 than anyone else. I put every dollar I made right back into art and production so I can keep this going cuz I wasn’t in it for hanging on youtube, I was in it for trying to get to a point where I can put out comics monthly like the big boys.

It’s gonna take a lot of work, but we will get there as we’re putting together infrastructure to make it easier to produce and ship.

Either way, I have a lot of content to produce and a lot on my plate. I’m relying on Patreon backers to some extent so make sure to check out my patreon and get early access to books, comics, and short stories as they get released.


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The Left’s Social Pressure Tactics And Moderates

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The left knows the game. Moderates don’t respond based on logic or being swayed by “good points in debate.” They respond based on social pressure. You can push a moderate from a right winger and divide a base by hitting the talking points that instills fear into the moderate.

A moderate is scared to be branded a racist, a sexist, a bigot, and will act according to avoiding that social pressure.

A “radical” isn’t scared, because they know the branding isn’t true and doesn’t matter so they’ll do what they want.

That’s the difference. Outside of a few kooks with no power, there’s no problems going on with these things in reality. We live in the most open, free time in the world, where the only thing that can hold you back in most professions is being an open Chrsitian, white, or male, or a combination of the above.

So want to help your side? Don’t ADD to the social pressure the SJWs put on moderates by putting more on right wing people or opinions.

Today, we saw that the people who proclaim moderation get attacked regardless. That Umbrella Guy, a popular youtuber, moderate, and rabble rouser within the comicsgate sphere was doxxed last night. He’s a vocal guy about comics, but not much else. He took great pains to disassociate from me and other vocal right wingers in the movement in order to try to stay safe, for his own personal reasons which I know and are valid, but it didn’t stop the SJWs from coming after him.

Once they declare you as a target, you’re their target. It doesn’t matter if you support gay rights, it doesn’t matter if you voted the “right” way… i even talk to a lot of left folk in the industry who weren’t 100% on board with what the mob wanted at times and they’ve gotten the heat, gotten the attacks, had their careers and lives destroyed. They’ll attack you no matter what.

I’ve been saying this ever since I was disavowed by the big youtube clique: it doesn’t matter. The SJWs will go for you no matter what. Abandoning your friends and allies doesn’t help anyone. It’s a division tactic to slow the movement’s momentum down, make it so my fans won’t buy your work, your fans won’t buy my work. It’s an endless cycle and they USE that social pressure in order to make it happen.

Know that it’s just a tactic. There’s no principles involved. No letting them know you’re “not the real racist”. It doesn’t matter to them. They know you’re a threat by posing an alternative to their establishment mainstream. They know that the “further right” people are doing the same. That’s what this is about not any specific policies. They don’t care about policies, they care that your identity is a threat to theirs. And it will always be unless you bow to them completely. Doing partial bows will not help you.

We can get back on track now. We can stop the division and get back to what we’re supposed to be doing — creating a real alternative, one that doesn’t blacklist over perception of right-leaning politics. Keep our heads down, stay the course, and don’t attack your friends. We already have Warner Bros., Disney, the DNC, the Clinton Foundation, Big Saudi Oil, the UN, the news media against us. You add the element of fighting each other and we’re going to get nowhere fast.

Make sure to support alternative indie books. A great place to start is For Steam And Country, the first book in my major steampunk series that made me a #1 bestseller despite all the social pressure big publishing tried to put for people not to buy my books. Readers loved it anyway! Check it out here.

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No, Mark Waid Having A GoFundMe Isn’t A Win For ComicsGate

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Last week, Mark Waid launched a GoFundMe in conjunction with the lawsuit filed against him by Diversity & Comics. Immediately, hot takes on Twitter and YouTube appeared, slamming Mark Waid, making complete conjecture about the situation from  claiming he’s broke to claims that the industry doesn’t support him at all to the fact that this is just to raise “settlement money”. The easy thing to do as a personality in the industry right now is to go along with the flow of these comments — the problem is, the hot takes and zingers in this instance are just wrong.

It’s pretty standard course of action to launch a GoFundMe in a lawsuit like this, especially if someone has a sizeable fanbase and presence. Why? Because as a person in such a position he can quickly and easily raise money to fund the lawsuit without having to go to his employers, without having to call on their insurance, without having to come out of pocket himself. That’s a smart thing to do in this instance, and anyone in his position would do the same (including D&C who now has a GoFundMe headed by Ethan Van Sciver on the opposite side). In any instance, this doesn’t mean a “loss” for the person having a gofundme. We can’t glean anything from the potential court case on this matter.

In fact, we have very few facts about what the court case is, what the details of the evidence is, or how this is going to go.

What we do know, is there’s tremendous support for Mark Waid. In just 3 days, he raised over $60,000 as of this writing from 1,600+ backers. That’s a crazy amount of money. What it does is shatter the narrative of “this is a consumer revolt apolitical!” on the comicsgate side, making it difficult for comicsgate to keep up that veneer.

I’ve been saying from the start that a “consumer revolt” isn’t necessary without the context of politics. There’s hundreds of books on the shelves each week and having a “revolt” to simply want “more left-center leaning comics” makes little to no-sense. The revolt existed because right wingers were forced out of the industry and into their own thing.

What we see here is there is no unified “consumer.” The IndieGoGos raised money from people wanting to make a political statement against the industry first and foremost. Now, the supporters of the industry want to make a statement about the folk making a statement. It shows that we have a completely divided consumer base. Lots of people in the camp of the left. Lots of people in the camp of the right.

Everything is political these days, and this is just another example of the way our society is collapsing. We can’t talk together anymore, outrage culture is at an extreme, and both sides have plenty of support for the people perceived as their champions.

What I have and always will be concerned about is that this all takes the focus off of comics. We’ve now got teams competing politically where the ComicsGate side is still pretending like they’re not in a political civil war — dividing over politics internally — while going to the crowdfund well now for legal fees instead of making comics. This is going to slow the rate of new indie comics produced because the money’s getting tied up in legal gofundmes.

No one’s losing here except for comic book readers on both sides pushing money that could be spent on comics into a battle of egos.

I call it like it is regardless of what’s going to bet he “popular hot take”. I’m blacklisted from not only mainstream publishers, but also all of the major comicsgate youtube channels because I will always choose truth over having to toe the line. That’s a big reason to read my work. My Patreon is 100% focused on creating comics, short stories, and novels and it’s all about working hard and actually making change in the culture. Subscribe today! 

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The Calm Before The Storm

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It’s been an interesting month. Finally, attacks have seemed to calm down. I think this is for a few reasons:

  1. Most of the exciting events of the summer are over including Worldcon/my IndieGoGos/ My rapid release of books
  2. The Election is sapping the energy of the opposition
  3. There’s very little cultural news lately to report upon

But that’s just with me personally. Attacks have stepped up today on Bounding Into Comics, a comic book news company that’s been fairly reporting different events, actually covering books by me and others when places like Bleeding Cool intentionally ignore us, it’s no wonder they’re getting hit by the low-tier industry professionals who are trying to shut down speech.

All in all though, I see the attacks lessening all around. It’s a calm before the storm from what I’ve seen. We’re at that lull now where they have seen the attacks just made our platform bigger, they see we’re not going away any time soon, and they’re not sure what to do about it.

Don’t think that we can rest on our laurels. We still have a lot of work to do in changing culture, ending blacklisting, stopping the hate that comes with being a conservative artist. We have the beginnings of alternatives set up in books and comics, but we need to do more. We need to have regular, sustainable releases. We need to have music, movies, video games to go along with what we’re doing. These will come, it’s going to take time. It’s going to take a lot of work and resources. We have to keep going and keep pushing forward together.

We have the ability, and if we stay strong we will win.

Speaking of staying strong and winning… check out my most recent book, The Fight For Rislandia. Zaira stands strong against all odds. She’s the kind of hero we need.

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